And so I meet George Yeo, the Minister for Foreign Affairs in the gym. He is earnestly lifting weights. Everyone gives him a very w-i-d-e berth, just incase and so do I. And then I have the good fortune to meet him again in the gym’s lift lobby. We are by now freshly showered, powdered, and cramped in a small space. Unable to restrain myself, and needing to fill the enormous vacuum, I blurt out what I later realise is the oldest pick up line in the world
“So… you come here often?”
Matsuoka Naomi was in town for her screenings at the Japanese Film Festival whose theme this year was Women. Her two films Pathos and Broken Blossom were screened along side Naomi Kawase’s Birth/Mother. From their titles, you have an idea how they all connect. Just before her screening, I had a chat with her.
Me: You have come all the way from Osaka, why don’t you stay longer instead of rushing back after just 1.5 days
Naomi: I have to go back to my children (6 & 2) My husband is looking after them now. He can’t cope by himself for too long.
Me: Do you work?
Naomi: Now that the elder one is in school, I work part time as a photographer for websites
Me: How do you find time to make films if you have to look after the kids yourself?
Naomi: I make films about my children, my family.
Only after seeing her work, did what she say make sense. In her films, she turns the camera onto her family. Her films feature their deaths, births, her familial relationships in very domestic settings. Getting the tone right for these autobiographical films is always difficult. In less secure hands, it would have been an irritatingly long home video. In her hands, she connected with the wider world.
Outside Tate Modern
Singapore
We were hurdled in this room for a screening of films that would be considered “political”. As political screenings (its kept deliberately vague what this is) aren’t allowed under the Film Act without huge penalties for the organisers (Martyn, Choon Hiong) and the screening venue (Post Museum), we all had to pre-register to give the event a semblance of it being a private gathering which was presumably less culpable.
Martyn showed Speakers Cornered, Choon Hiong showed ????? and Seelan Palay showed a short film of his protest against the Hindraf activists’ incarceration. There were several filmmakers amongst us there as were opposition politicians and their grassroots helpers who were the subject of the videos, we sat crossed legged on the floor alert and watching.
Now that the Film Act will be applied with a “lighter touch” (what does this mean?) on political films, do we need to go through this pre-registration process? I hope they will re-submit the films for censorship so that we can see where each of these films stand.
The re-look into the Film Act wouldn’t have happened if they hadn’t persisted. My hats off to Martyn for being so steady when the whole weight of the governmental machinery bore down on him for so many months. There is definitely a place for civil disobedience in Singapore.
Left to right Ho Choon Hiong (in red), Martyn See, Seelan Palay
Singapore Film Society is showing a retrospective of her work at this year’s Japanese Film Festival. She will be in attendance for the screenings. Link here. Interesting line up. Her documentaries are very personal in the sense it feels that she is ruminating about her life and the turns they have taken. Her art comes from making the very personal relevant to everyone else.
I just realised we are born in the same year.
Kinokuniya bookstore has been most supportive of local books and films. One of the things they supported last weekend was the launch of two DVDs, Eric’s Remember Chek Jawa and the 3-DVD set. Thanks to all who showed up and Objectifs, our distributor who organised this event. Next stop Books Actually on 29 August.
Taken by Tym. At times it felt like I was giving a cooking demo, see the floral arrangement
The archaelogists Chen Sian, Sheau Thng and Kang Shuo came too
Eric chatting with a fan, he is donating the profits of Remember Chek Jawa to a conservation group
Two things tomorrow, launching the DVD boxed set in a bookshop (meeting and greeting and cajolling random bookshoppers to buy the set) and after that, I am on a panel at the Singapore Theatre festival with two playwrights talking about History. Never launched a DVD in a bookshop before, nor been in a theatre panel. These cross medium activities are making me nervvouus.
At the corner coffee shop watching the Olympic Opening. The man in front jumped up and stood erect when the Chinese national anthem was played
This 3-DVD set is being launched on Sat, Aug 16 at Kinokuniya (3pm, Takashimaya) and on Fri 29 Aug at Books Actually (7.30-8pm). I will be there to give short talk. You are invited! We are giving out FREE Invisible City Posters to people who buy it at this two events. Nice posters, while stocks last!
You can buy it from Kinokuniya, HMV, Books Actually, Objectifs, Banyan Tree Museum shop outlets from 16 Aug onwards, international buyers click here. Its SGD 49.50 (USD 35).
Most of the past few months was spent on producing the Invisible City DVD. It contains audio commentary with myself and script consultant Tan Siok Siok, (possibly a first for a Singapore film to provide that) a filmlet using Ivan Polunin’s sound archives, and our trailer. The DVD liner notes are by Alfian Sa’at. ampulets assisted with the with copywriting and photos. The set was conceptualised and packaged by Mindwasabi/MartinOng, authored by Lillian Wang and distributed by Objectifs. I hope you will like this combination of energies and talent.
Whats inside this boxed set?
Back of Box “If a city could speak of its loves and regrets, Tan Pin Pin’s Invisible City, Singapore GaGa, and Moving House suggest that we would do well by listening to the music its people make, the stories they tell and the silences they maintain. Each of the films questions the relationship between these individual expressions with the collective experience in Singapore. Tan Pin Pin’s voice is thoughtful and generous. The award-winning films in this Collection never miss the humour, warmth and passions of the city-state’s residents.”
Continue reading
I remember a photograph of Potsdamer Platz under construction. What used to be no-man’s land was now a sea of cranes, not unlike the sea of cranes at our “new downtown” that you see above taken in late June. They are building the new casino there. Imagine a performance with these cranes for the National Day Parade. Our national bird, moving in sync at twilight, a solemn dance.
Taken at the porch of St Andrews Junior College where Invisible City had a screening. A tad too twilight zone
Invisible City is screening in Perth as part of the Perth’s Singapore Association National Day Celebrations. There is a huge community of Singaporeans there. In their flyer, the tag line for the film is “Memories of Singapore: Whose are they & What are they?”
Its screening in Astor Singapore, an Art Decor cinema. See here for the re-mixed posters.
Invisible City and Singapore GaGa are screening back to back at Sinema Old School next week onwards. Its part of a documentary festival featuring Boomtown Beijing and Feet Unbound. Just buy a ticket! Ticket Hotline 6336-9707. Here are the times. Thurs and Sats only. Short run only
Invisible City
Jul 10, 12, 17 & 26
Thu & Sat: 9.15pm – 10.15pm
Jul 19
Sat: 3pm – 4pm
Singapore GaGa
Jul 10, 12, 17 & 26
Thu & Sat: 8pm – 9pm
Strolling along the esplanade of Johore Bahru across the causeway, what do I spy but Singapore’s Senoko Power Station. Bet you have never seen it before, not from this perspective.
Should try it sometime especially when pitching ideas to satorially challenged Singapore Ministers
So I found out when I went to see Argentum‘s exhibition which ends this weekend at the Substation. I thought it was going to be a jewellery exhibit, it was, but not in the way you’d expect
Its interesting that there is a relatively large Singapore community in Northfield Minnesota in Carleton College since it is quite an isolated place according to the college website. Anyway, the Singapore club there organised a screening of Singapore GaGa and Invisible City, where according to the organiser Wayne Soon, they put up a valiant effort to articulate Singapore and our propensity for amnesia, which turns out not to be so particular to Singapore after all. He said, “Some in the audience prefer Singapore Gaga but I think the majority like Invisible City. It was interesting how we moved from a discussion of Singapore to similar films by other filmakers done on South Koreans’ recent history (a film about the Kwangju Massacre) and Chinese’s recent history (Like the PBS film on the 1989 Tiananmen Incident called ‘Gate of Heavenly Peace.”)”. Both films will screen in Cuba shortly and Pyongyang, hopefully.
Highly recommended for an introduction to the first in a long line of films that tries to be Singaporean. It gives you an idea of what “Singaporean” entailed then. For one, it entailed being a union member because everyone in the film seemed to be going to a union meeting through out. It also (then, and arguably now) entails voting for PAP and of course, living in a HDB flat. The original National Education movie that is precious in its earnestness and awkwardness as it wills itself to be Singaporean.
Reviews by Quah Syren (Mandarin), yawning bread and Jeremy Sing
May 16, 2008 – 9:00 pm (Weekend)
May 17, 2008 – 5:00 pm
May 23, 2008 – 3:00 pm
May 29, 2008 – 3:00 pm
May 30, 2008 – 7:00 pm
Sinema link
This scene is filmed on Mount Faber taken from Jeremy’s blog
