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Can dance a little

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At Pusan, not quite by accident, we Southeast Asian filmmakers fell in together drinking every night with different people joining us each night. In typical Asean fashion, the Singaporeans amongst us, myself and Kan Lume (“Solos”) could not drink, could not sing, not even a little. So they humoured us while we sipped teaspoons of shochu (korean saki, sorry I keep using Jap references) and they downed bottle after bottle of that stuff in our favourite faux Japanese bar Minami

Picture L-R, Aditya Assarat (Thai Director, Wonderful Town), Soros (Producer, Wonderful town), Kan Lume, Miyonne Lee (PIFF guest co-ordinator), Cherubic Liew Seng Tat (Director Flower in my Pocket, Malaysia), missing from this picture, Jim Meer Libiran (Filipino Director, Tribe) and his wife Michelle. As mentioned in a previous post, Seng Tat and Aditya Juke shared top prizes.

A picture of Seng Tat the morning after

Miss Hong

I don’t normally enjoy myself at big red carpet film festivals, Cannes made me depressed for instance, But here in Pusan, we felt at home as documentary directors, not just token minority representatives of the film ecosystem. It is due to the efforts of the PIFF documentary programmer Hong Hyosook and her team who carved out a space for documentaries here. As a result, the documentary programme is rich and varied, especially solid is the section of indie Korean documentaries.

Hyosook, or Ms Hong as she is known to her younger colleagues was a documentary film director herself, as is her sister. She came on board at PIFF 12 years ago to help out then she stayed on. Along the way she beefed up the documentary programme, helped set up the Asian Network of Documentary Fund which funded part of Invisible City. She said one day, she may go back to making documentaries again. I wish I took a picture of her. She is one cool lady.

Invisible at NTU & SAM

Invisible City is screening at the Nanyang Technological University

Date: Thurs, 25 Oct 2007
Time: 12.30pm – 1.30pm, I will be there for Q&A
Venue: LT 19

This event is open to ALL NTU students.
No registration required.

See you there

Invisible is also screening on 19 Oct (Fri) 3 and Nov (Sat) at the Singapore Art Museum, Glass Hall, $3/person. It is held in conjunction with the From Words to Pictures, Art during the Emergency exhibition which is an exhibition very worth seeing.

Recent Singapore Documentary 16-19 Oct

The indie documentary filmmaking scene in Singapore is hip hopping. The Asian Film Archive put together a rich and varied programme of recent Singapore documentaries. Check out the programme.

In Conversation

(In attendance: Wang Eng Eng, Joycelyn Khoo, Lo Hwei Shan, Chew Tze Chuan, Martyn See, Eng Yee Peng ) by the Asian Film Archive and National Library Board
Date: 21 October 2007
, Time: 2pm – 4pm.
Venue: library@esplanade, The Esplanade, #03-01 (Nearest MRT station: City Hall)

Screenings (16-19 Oct)

16 Oct Tue, 4pm, Singapore Chinese Girls School Lecture Theatre
Aki Ra’s Boys by James Leong and Lynn Lee

16 Oct Tue, 5pm, Nanyang Technological University, School of Arts, Design and Media, Level 2 Auditorium
Singapore Standard Time by Joycelyn Khoo & Serene Ng
Match Made by Mirabelle Ang Continue reading

Love, actually

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So I am in Seoul, and I just for the hell of it am staying at a budget hotel which in Korea is also a love hotel. It is clean and presentable, though the towels are small (who needs to shower!), it has one porn channel, one Go (Japanese chess) channel, red carpet and optional pink lighting. I even have a window.

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The love hotel turns out to be a lot less sleazy than I expected (I watch too much TV). Perhaps because its in the Yonsei University and Ehwa Unversity district, there are many younger couples. If its a straight couple, its the guy who pays, while his girl friend waits by his side with a bottle of drink and snacks bought from the near by Family Mart (7-11). No names are asked or given, a key is given and a small bag possibly containing condoms along with it. They are not shy, nor brazen, just matter of fact, actually

Invisible invited to Berlin 2008

Invisible City has been invited to premiere at Berlin 2008! Christoph the programmer saw it and contacted me. I am still recovering from shock. It will screen at the Forum section of the festival, which was set up to counterpoint the Competition section. Meanwhile, even more good news: Liew Seng Tat, “Flower in my Pocket”, a lovely film from Malaysia, together with Thai Aditya Assarat’s (Juke) “Wonderful Town” tied for the top prize in the Pusan’s New Currents Section. Singaporeans will know them well, they are regulars at Substation’s Asian Film Symposium. Great films, so happy for them.

Pusan #1

Invisible’s first screening on 7 Oct was sold out. But it could be because the film that I am bundled together with has a poster of school girls having sex. Check this poster out, I mean, if there was a poster that could pack audiences in, this is it. That documentary is called Secret in my Satchel.

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off to pusan

So its off to Pusan, in addition to new namecards, tee-shirts, freshly printed postcards, I brought running shoes and some vitamin C tablets. I may be inspired to run. (ha!). Taking other Singaporean films with me too.

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Pusan International Film Festival is run by an army of volunteers who are undergraduates. These two were waiting for me at the airport, in their special issue volunteer jackets

5th Fly by night VIDEO CHALLENGE

Funding just clicked into place so Yes! we are organising the 5th Fly By Night Video Challenge again this year

2-4 Nov 2007, La Salle College of the Arts
You know, the usual drill, topic announced on Friday, crazed brainstorming shooting on sat, Screening of all films on Sunday afternoon

The fine print is being worked out and it will be reflected on the website over the next few days

Please join

Invisible Screenings

Invisible City Premieres Internationally at the Pusan International Film Festival in the Wide Angel section this weekend. I will be in Pusan 8-12 Oct to present the film. This will be my first Korean Q&A
7th Oct. 9.30am Megabox1 Cinema
11th Oct 13:00 Megabox1 Cinema
Thereafter, it screens at the Louis Vuitton Hawaii International Film Festival

Meanwhile, the Invisible City roadshow around Singapore has begun. It screens at the The Singapore Art Museum (dates tbc), Subordinate Courts Staff Club, Millenia Institute (Part of National Day celebrations), Temasek Junior College, The National University of Singapore, History Department and the University Scholars Programme and at Nanyang Technologial Institute!

6ixth Now on line

A few months ago, I highlighted a photo exhibition by Jeff Chouw at the Substation. The exhibition was about Singapore’s opposition candidate (only 1 of 2 here) Chiam See Tong’s campaign during last year’s General Elections. Jeff finally put these photos online. I have never seen opposition politicians given such arty finesing. They look really good. I asked Jeff, a marine-biologist-by-day what his next project was, he said “Geylang” (Singapore’s Red Light disctrict). He said he was interested in spaces that only men were privy to. For this series, there won’t be people in it, just spaces. Meanwhile, he broke his foot and is hobbling around. So the photography is put on hold until he can run again. He says “In case I am chased”.

MACAU with bifocals

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In Macau, I spent my one free day on a walkabout with Bede Cheng (above). He had hoped over from Hong Kong (by jetfoil, one hour). Bede used to work at the Hong Kong Film Archive and he was keen to explore the nooks and crannies of Macau with me. He was literally a walking film encyclopedia. At random street corners, he would say, “Does this house not remind you of the house in xxyy”, or “Do you remember the 60’s Japanese gangster film xx, well the fight scene took place right here” or “This is the location where much of “Days of Being Wild” was filmed”. I enjoyed his running commentary tremendously. I was looking at the city with bifocals, switching between what was before me and what existed in the filmic world that I hadn’t seen and could only imagine.

Pusan International Film Festival

The Asian Film Festival starts on 4 October. This year there is a special side bar showcasing of Malaysian Films. Included in the line up are works by Yasmin Ahmad (Muksin), the debut feature by Liew Seng Tat (which is running for the New Asian Currents Prize) which I am looking forward to, Amir’s Village People Radio Show, Deepak Menon’s latest “Dancing Bells” (he of “Gravel Road” about rubber tappers), and also Woo Ming Jin’s (Monday Morning Glory) latest feature. Also new shorts by Tan Chui Mui (Love Conquers All) and Ho Yuhang (Rain Dogs). Yes, I am pleased that so many of you are doing so well, that you were able to do all this with negligible government support and (perhaps because of that) you were able to keep close to your vision which has defined you. Yes, I am basking in the unearned glory by virtue of my close proximity to you. (plus my mother is Malaysian)

On the Singapore side, Invisible City is screening as is Solos, Pleasure Factory (set in Red light district Geylang), Ah Ma (Cannes short) and 881. But we got no special side bar programme lah, not yet!

Meanwhile From Thailand, Juke’s (Aditya Assarat) debut feature “Wonderful Town” is also in the running for the New Asian Currents Prize.

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Movies in Macau

Macau is a tiny island city state, it is only 26 km2. This tiny space packs 500,000 people but it has only 2 cinemas! Singapore has 9 times more people (4.5mil) but 90 times more cinemas (we have 180 screens). Albert Chu my host said that people watch movies on pirated DVDs bought from Zhuhai across the causeway in China a 5 min drive away, so piracy killed the cinema spaces.

So with only 2 cinemas, CUT a film society (est 1999) that Albert Chu runs is well supported. He shows movies every Saturday night. It attracts an interesting range of people, from your newly graduated mass communication student to the semi retired blue collar worker who wants to learn more about movies. He says “Some have never even seen “Godfather”. They love movies but don’t know where to start, what to see, so they come here, I programme films they wouldn’t otherwise see”. In recent weeks, CUT showed Edward Yang (to commemorate his recent passing) and then Bergman’s Cries and Whispers (to also commemorate his recent passing) and finally Antonioni’s Blow Up (to commemorate his recent passing too). Before that, there was Fargo. In this mix, Singapore GaGa and Moving House were shown to the club members as a Thurs night special.

The screening room is basic, the audience sit on foldable ikea chairs that Albert unfurls before each screening, the projector is borrowed from a member. The screening space is situated in the ground floor of an old 4 storey shop house that used to be the studio of an artist. When the artist died, his widow rented ground floor to CUT and the upstairs space to a dance group. The vibe is chill, if we can call it that. Bede Cheng from Hong Kong whom I described this scene to said he felt nostalgic, he said Hong Kong in the 60’s had cineclubs like this too.
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(Albert tests the projector before the screening)

About 25 people show up to watch GaGa and Moving House. From the Q&A in Mandarin and Cantonese, they seem to connect with the movies. Someone called Moving House a horror movie. Others talk about the films they want to make of Macau, things are changing too quickly they say, with the new Casinos, and all.

I ask Albert, how on earth he stumbled onto my films? He said, he saw the Singapore GaGa DVD in an independent hole-in-the-wall book store??????called Pinto Books. (????). As to how Singapore GaGa came to be on sale in Pinto books, Macau, that is worthy of another blog entry. But for now, a cell phone portrait of the (rather shy) Macau members of Cut!

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Macau

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I was in Macau recently to give a workshop and while I was there, they also screened Singapore GaGa and Moving House. This was an an invitation by CUT, the Macau Film Society. It was my first time in Macau, and I am surprised by how much I liked it. The people, my kind hosts had much to do with it. I expected Macau to be a mini Hong Kong. It is, sort of, but so different, more homey, more laid back. More pictures soon!

This poster pamplet is designed by Lorence Chen, Japanese design inspired he told me. He also designed the other screening posters for CUT, see their website

A blogger’s review of the screening (Traditional Chinese)

R&R

When I was recuperating from Singapore GaGa, I went to hang with my friend Aileen Li in Taipei, my favourite Asian city. She was also recuperating from her film (Formula 17, Producer). One afternoon, we went to hang in a cafe called Norwegian Wood (named after the Murakami novel, not the song) in a back lane near Taiwan National University. In there we met another recuperating director Robin Lee (Shoe Fairy). What was the filmmaker-in-state-of-repose Robin doing? She was bent over a pile of serialised comic books pleasurably gobbling them up. She had been there the whole day. She reminded me of how, when I completed Rogers Park, I spent three weeks doing nothing but reading A Suitable Boy (A fat book, small words, not particularly good, but I read it all because I could). Anyway, I thought of her when I was traipsing in Chiang Mai, Thailand. Here, I stumbled upon the best 2nd hand English bookstore in this hemisphere, Back Street Books. It stocks everything from the full list of Rushdie, Harry Potter, Ian Fleming, Murakami (of course), books on philosophy, even Han Su Yin. These are books left over from maruding backpackers. What did I buy? A volume of The Fall of the Roman Empire and a book of essays by Jonathan Frazen about the death of the novel. Its nice to read about other people’s problems for a change.

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Elephant rides are also recommended

Invisible city’s run ends

Invisible City opened on 19 July and ended on 19 August. We sold out screenings. Thank you everyone, the crew, the people featured, the publicity and marketing team, the supporters, the press, the bloggers, my family, my friends. Thank you. Thank you.
What my life now without you?

chek jawa documentary

Eric Lim directed a documentary about Chek Jawa that will screen at this year’s Asian Film Symposium, the flagship film event of the Substation. 10 Sept, Picturehouse. The documentary focuses on the work of a group of passionate people who  document the bio diversity of this small patch on Pulau Ubin, and how this work was used to advocate the area’s preservation. Official film site here
Also showing at the Asian Film Symposium is Tan Chui Mui’s Love Conquers All, it is the opening film.

Singapore GaGa Premieres on TV

Sunday 12 August, 9pm, Arts Central, part of the other National Day Celebrations.

I wasn’t watching this on TV that night but according to this blogger who did, some bits of the Singapore GaGa telecast were omitted, when the tissue seller Ms Liang sang her “Jesus is Great” song in Hokkien dialect and our ensuing conversation after, and when the clog stomping juggler was recounting his experience of police brutality. Its not entirely obvious to me why these bits and not others were excised. But it gives you an idea of what is considered ‘sensitive’ in Singapore. In hindsight, I wish I had factored in my contract that I be consulted as to what be cut out. But I really I should be glad that they did not to cut out the National Day Parade segment since it was shown over the the Parade weekend! That would be tragic. Small victories.

Invisible to Premiere at pusan

Great news. Invisible City has been accepted to International Premiere at Pusan International Film Festival in October. Last year, PIFF provided finanicial support for Invisible City based on a 3 min trailer and a treatment. Now they are presenting the completed film to the world so this is a homecoming for them and for me.
Opus blogs about Pusan 06


For myself, international festivals are an opportunity to test Invisible City, to see if its internal scaffolding can traverse cultures, if this work that was made for a Singapore audience can survive and thrive out there, and if it does, in what form.
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Taken by Yuni Hadi at PIFF last year on the Hyundae (sp?) Beach where the festival is set (very Cannes-like, real sand). We country bumpkin Singaporeans saw the expansive ocean and decided to go for an early morning ocean plunge. The locals we were aghast, it was past the swimming season, the water was very chilly. I promptly caught a cold